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Movie Reviews

ADMR – Twisters is a thrill ride that, despite it’s weaknesses, still delivers – 4.2/5

TwistersWill Twisters blow you away?

Okay, that might be a bit of an overstatement. But it’s a headline that’s baked into the Twisters cake and I’m oblidged to shoe-horn it into my review. Let it not be said that The Average Dude doesn’t take a gimme when it’s offered.

Suspension of disbelief

Twisters is not a sequel, as you might expect. There are no cameos from the original and only one brief throwback (in the form of DOT, the barrel o’ sensors). So by and large, what Twisters does is introduce a new cast of characters that rush headlong into the vorex of a second ‘once in a lifetime’ storm outbreak.

'naders, ya'll

Sharknado, anyone?

And lets be honest here…anyone breezing into the theater to see Twisters is already suspending disbelief to it’s justifiable limits. If you watched Twister (1996) then you already have come to grips with that. It’s fine. We’re fine. Hollywood has asked us to suspend them further than this. They gave us Sharknado, right? Multiple times. Like 6 times. We’ll be fine.

Sharknado

So we’re already mentally invested in the spectacle of Twisters. Extreme weather is the star of this blow-show. But we still need a human element to become invested, to make this movie a true blockbuster.

Enter Kate (played fairly vanilla by Daisy Edgar-Jones), a plucky storm-chaser in her careless youth turned meek and tortured city-dweller because of those darned tornadoes. When she is contacted by another tortured survivor of her early days, Kate leaves the security of NYC and its zero-tolerance for tornadoes (almost) to return to where it all began…Tornado Alley.

Tyler and Kate

Suspension of disbelief 2.0

Upon returning to her old stomping grounds to battle the second once-in-a-lifetime storm outbreak, Kate runs into Tyler Owens, a YouTube storm-chasing superstar who makes his living driving his Dodge Ram truck into the heart of the maelstrom and anchoring it to the earth with twin augers. Never mind that an average tornado can shred steel or wrap it around a tree like it was a welcome home ribbon. But we’re still fine here. It’s not a flying apex predator, after all.

The charm...oh the charm...

Tyler Owens (played by the insanely charismatic Glen Powell) is the real human show-stopper here. That dude is magnetic in a way that you just don’t see much of anymore. I’m told by the greatest generation that Cary Grant had it. Ryan Reynolds almost has it. But Glen Powell? It’s just not fair. Seriously, Glen. Save some for the rest of us.

To make the obvious comparison

Twisters takes the same dirt road that Twister did, pitting high-tech storm-chasers against the home-grown thrill-seekers (Tyler is dubbed ‘the Tornado Wrangler’). Kate seems to be channeling both Bill Paxton (RIP, my dude) and Helen Hunt from the original, and not quite getting the job done. Amazing supporting cast members like Philip Seymore Hoffman (RIP, my dude), Alan Ruck (‘the Rabbit is good, the Rabbit is wise!’) and Jami Gertz (‘We got cows!’) are nowhere to be found in Twisters. No, the weight of rizz is carried alone by Powell. And he does so. Nearly effortlessly. I think that’s just part of the gift he has.

The OG twister hunters

Twisters doesn’t blow

Okay, there was another ovious headline. Sue me.

It’s definitely worth noting that Twisters does not bow to the alarmists of the world and blame everything on climate change. At least, not overtly. I counted twice that the movie stated storms are happening more frequently every year (there are some statistics to support that, though not this year). I find that refreshing and a bit surprising. Bravo to Director Lee Isaac Chung for make the conscious decision to not go that route and just let us have some fun. The Average Dude Abides.

View the carnage, kate

And I may have been a tad long-winded but The Average Dude is giving Twisters a solid 4.2, totally worth your two hours and corn. My theater was packed, and that’s a good sign. Blockbusters are still a thing. I imagine Twisters will have a decent box next week, if only for the folks that tried to get Deadpool and Wolverine tickets but they were sold out. Two blockbusters in a row. Maybe cinema isn’t dead yet.

In the end, going to see Twisters is satisfying in the way that any of the latest crop of Godzilla v Kong movies (minus Minus One) is satisfying. We willingly throw science right out the Dodge Ram window and feel the winds. You know what this is going in. Anything more than that is just bonus. And we’re fine with that.

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Movie Reviews

ADMR – A Quiet Place Day One is not bad if you can stick with it – 2.8/5

A Quiet Place Day One
A Quiet Place Day One is a lot of questions and no answers

Okay, I’m just going to come out and say it…I wasn’t really all that psyched to see A Quite Place Day One. I liked the first two well enough. I took my daughter and her friend to see the first one and she kept burying her face in my shoulder. That’s a treasured memory.

But the previews for this prequel (I’m pretty much over the whole prequel fad…is it just me?) left me cold. It was clear that this wasn’t going to be a story telling about who the soundcritters are. Or why they wanted to come here and ‘get all rowdy’ (to channel Capt. Steven Hiller from Independence Day). That would have been a prequel premise to shout about. Heck, I would have settled for knowing how they got here with no ocular orifices. How does their tech work with them basically being a giant ‘super-ear’? We have questions.

Just like Furiosa?

You know what question we didn’t have? How did the Quiet Invasion affect anybody else except Emily Blunt, John Krasinski and their family? We invested ourselves in their struggle for two movies. Starting all over again with A Quiet Place Day One feels like a money grab, not a continuation. And if anyone anywhere was asking for a prequel, I’m positive it was to anwer the aforementioned questions.

OG Quiet folks

What we got instead was the story of a young, angry female of color with cancer and nobody to care about her except maybe one person at the inpatient cancer center where she lived. One might say that, if you can’t find something in that last sentence to become emotionally invested in then fellow dudes and dudies, you just aren’t trying. Yet there I was. Not caring all that much.

I always considered myself a dog person, but now…

Sam (no last name necessary) is played by Lupita Nyong’o (most notibly of Black Panther 1&2 and Us*) is accompanied by her emotional support cat ‘Frodo’. And for most of this movie, the only emotional investment I had was over the fate of this almost supernaturally incredible cat. I’m not kidding, this was the smartest, most loyal, chill-in-the-face-of-anarchy feline ever in all the history of history. Never to be equalled and barely to be believed. Not that Frodo did anything pivotal or John Wick-like. You’ll just have to see what I mean.

Sam and Frodo

One does not simply walk into NYC

Anywhoo, Sam and Frodo (oh wow…I just this moment got that!) survive the arrival of the soundcritters, crashing en masse into New York City. Why would the soundcritters with their hyper-sensitive earfaces head to the epicenter of noise in this country? Questions. And in the chaos, this angry loner does the only logical thing and adopts a scared, besuited young professional named Eric (no last name necessary). Because societal collapse is well known for bringing out the charity in angry loners.

Sam Eric and Frodo

Questions, questions and more questions

Together, they embark upon the perilous journey to make it to a shipyard where survivors are getting out of Dodge by loading up on a large boat. Because soundcritters, with their galaxy-spanning spacecraft can’t swim and can’t figure out how to get to a floating thingy. But they attack a planet that is 3/4 of a thing that they can’t figure out. Questions.

A Quiet Place Day One just has so. many. questions. Where are all the bodies? Where is the gore? How did the loudest city in the world get silent so quickly? More questions.

soundcritters

Djimon Hounsou…for literally no reason I can fathom

I was glad to see Djimon Hounsou in this cast. I love him in every single one of his roles.** ‘Give us, Us Free’ is one of the most powerful lines of all time. A talent for the generations. So I was disappointed to find out that his part in A Quiet Place Day One was so small and impactless that any minimum wage talent could have done it. I would rather have seen him play the part of Eric, to be honest. The casting choice doesn’t make a lot of sense, is all I’m saying.

Sam and Henri

Pray I don’t alter it any further

The Average Dude started out giving this movie a 3 out of 5 because, in spite of taking half of it to become emotionally invested in anything that didn’t have whiskers and softpaws, I eventually liked Sam and Eric. I wished them well. I begrudgingly believed in their kindness towards each other. Because the Average Dude is an optimist at heart. When goodness triumphs under the most extreme of circumstances, I cheer. I want to believe that happens.

But as I type, I’ve found more unanswered questions in both the story and the choices behind the story. So against my usual habit of grading with my first gut reaction, I’ve dropped the score for A Quiet Place Day One a couple of times. The result is a modest 2.8 out of 5. The Average Dude can neither recommend nor NOT recommend it. I can only tell you that I am glad I saw it, and only because my personal makeup is geared towards that kind of ending. So sue me. I’m an optimist and I won’t be quiet about it.

*I saw Us at a free screening and I still feel like I spent too much. It used to be my least favorite movie all time, until Drive Away Dolls unseated it.
**except for maybe Shazam!

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Movie Reviews

ADMR – Bad Boys Ride or Die is exactly what you expect, fun with a BOOM- 4/5

Bad Boys RIde or Die

Bad Boys Ride or Die is nearly 30 years old now

I remember the first Bad Boys movie…barely. It starred Will Smith and Martin Lawrence (of course) and the movie poster showed them bracketing a smoking hot Téa Leoni. Here’s what I remember from that movie. Detectives Mike Lowry and Marcus Burnett were adversarial partners tasked with protecting a witness (Leoni). And I remember that I liked it. That’s all. And that’s not surprising, since in fact, that movie first came out 29 years ago.

Bad Boys 95

Here’s a list of things that didn’t exist then…

Google. Smartphones (or really, any cell phone that didn’t look like a brick). The Web (as in, the world wide). email. Streaming anything. Selfies (or anyplace to post them). Gender reveal parties. The Carolina Panthers and Jacksonville Jaguars (well, they existed but had not played a game yet).

I think I’ve made my point. It’s been a hot minute. And at the risk of belaboring the obvious, it might be time to rename the franchise Bad Older Gentlemen. But that doesn’t have the same pinaché, the same zing. I get it.

Just kids

I thought there were only three of them

So, maybe I had a lot going on in 2020. The nation was closed for business just as my beloved Kansas City Chiefs had become world champions and I may have been on a 6 month party. Who knows. But in the run-up to Bad Boys Ride or Die, I seriously thought there were only three movies in the franchise. Somehow, I missed Bad Boys For Life.

In this franchise, there was a whole lot going on in the third installment. Marcus became a ‘pop pop’. Captain Conrad (the fantastic Joey Pants) died (in the movie, not in real life, God forbid). Mike died, came back, and found out he had an adult son from a NOLA witch. Yeah, I feel like, if I had seen it, I’d remember that stuff.

Here’s the thing…it didn’t matter

Watching Bad Boys Ride or Die and seeing Mike’s son show up I was like ‘Okay, that’s new’. And seeing that Capt Conrad was dead I was like ‘Okay, that’s a bummer’. Seeing Reggie mature from a bit character to *REDACT REDACT REDACT REDACT REDACT REDACT* was a nice progression. I rolled along with all of this assuming that the questions would be answered by and by. Thanks to excellent pacing, I didn’t get a chance to dwell on such things. And at the end of the movie, I was like ‘This was a cool movie. Much better than I expected out of a 4th helping’.

The amazing Mrs Average Dude saves my bacon yet again

Mrs. Average Dude, having never seen the other movies, needed to know more. So we went back to watch Bad Boys For Life and I got a whole new movie to answer the questions I barely had. And I got to see all the returning cast of characters again in reverse order, and I liked that, too.
None of that was a spoiler, by the way

AMMO rides again

So even though I told you that Mike’s son shows up in Bad Boys Ride or Die, or that Capt Conrad was dead, it’s not spoiling anything. I do, however, need to go back in this review and redact a small portion.* You’re welcome.

Cant help but smile

And since I don’t give spoilers in my reviews, let me just say this of Bad Boys Ride or Die: It was more of what brought you to the theater back in 1995. And 2003. and 2020. It reminded me of how much I miss seeing Martin Lawrence and his particular brand of action/comedy. His slanted grin, full of good natured mischief, is 100% infectious. And make no mistake, in this franchise, Will Smith is the straight man, setting up the Lawrence punchline. And I really like it. Sure, Smith is the ‘action star’. Those guys are a dime a dozen. But there are so few Martin Lawrences, and they are entertainment gold.

What you showed up for

So I am gladly giving Bad Boys Ride or Die a hearty 4 out of 5. Sure, they’re too old to be the ‘really bad boys’ of the 90’s and early 2000’s, and this movie doesn’t try to ignore that fact. But at least they have a good comedic chemistry to lean on that still delivers. And that’s not nothing.

Also not for nothing: I would be totally remiss as the Average Dude to NOT point out that Téa Leoni has aged amazingly well. Thirty years. I can only hope I age even close to as well.

Aged well

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ADMR – Even with all the awesome chaos, Furiosa is Fury so-so – 3/5

Furiosa
Furiosa: In the beginning…

The Average Dude remembers the before-time when cell phones only existed on Star Trek, HBO was the only movie channel (and didn’t give you any choices), and people thought that home computers would happen after flying cars. In the midst of that unimaginable era there came a little indie flick called Mad Max. It starred a dude named Mel Gibson. He was, for most of us, our introduction to the land down undah. At least until Crocodile Dundee came out.

The original

As average dudes, we love Mad Max. We SO wanted to be a muscle car driving bad @$$ with an accent that could drop undies at a convent. Mad Max was the tortured hero for the early 80s that average dudies fantasized about and average dudes admired. Galvanized by the tragic loss of his family, Max went from a clean-cut law officer to a rogue cop…the good guy bad boy of the law. The broken heart of Max further appealed to the ladies and the Dirty Harry from Down Undah had us dudes saying ‘Ef yeah! That would be me!’

And then…the inevitable remake

Cut scene to 30 years later, and Hollywood gives us a new Max for a new generation (actually, I think that would be two generations). Tom Hardy, an awesome actor, reprises the role of Mad Max. Or maybe it’s his spirit, because it’s not super-clear if he’s supposed to be the SAME Max. But let’s move on.

Mad Max Fury Road was a really good watch, It had the most amazing high-speed action I’ve ever seen in a movie. Nothing before or since comes close. Adding a psycho-punk flamethrowing dual guitar playing warboy on bungee chords was absolutely brilliant. I need a picture of this guy for the mancave. Preferably autographed. Ef, yeah.

This is SO COOL

And even though I have a great debate with my bestie on Fury Road’s nomination for Best Picture (I say Nay), it was still a worthy watch. Not quite on the annual rewatch list but close. Hardy’s Mad Max was an indominable bad @$$ and all. But there are two actual generations between the originals and the new. Thus the new audiences are not emotionally connected to the history, there’s very little reason to become invested in the character.

Furiosa was an odd direction for the franchise to take

where did the harpoon come from

And that brings us to Furiosa, a Mad Max saga. Furiosa is a prequel to Fury Road and is the story of the Furiosa (duh) played by Anya Taylor-Joy. Clearly, adding ‘a Mad Max saga’ to the title is just a way of piggy-backing on the brand and making Furiosa more than just another butt-kicking solo-chick that has been schlepped out to audiences ad nauseum for a while now.

Yes, these are characters from the Mad Max saga. Same blasted hellscape. But not a trace of Max. Will Tom Hardy show up in future Furiosa prequel/sequels? No clue. If so, it seems an odd choice to shoot the prequel before Tom Hardy even gets a chance to re-establish the Mad Max character. To this point in the reboot, Furiosa has more actual screen time than Mad Max.

And sharp cheekbones too

Was she chosen because she has big eyes?

Which brings me to another point: Anya Taylor-Joy as Furiosa is a very talented actress. Not a lot of quality credits to her name yet, but her turn in The Queen’s Gambit was impressive. She’s got a lot of cred in Hollywood right now as an up and comer. So I get signing her to a big name movie with one of the biggest stars in the cosmos (Chris Hemsworth in an amazing false nose) is a great career move.

Joe and Thor

The down-side is that Furiosa was written as the ultimate stoic little girlboss growing up to be a stoic young womanboss. Other than having a soul-scorching stare, she wasn’t really called upon to do much…you know, acting. An estimated count puts her at about 30 lines total. As I recall, a couple of those were ‘I AM FURIOSA!’ and ‘No.’ Not the Independence Day pre-dawn speech but that stare was pretty feral. How did her parents know she would grow to be so furious when then named her? No clue.

Thor is more

Okay, so even though Furiosa is a high octane action flick, there still needs to be some characters to fill in the places between car battles. That burden falls upon Chris Hemsworth as Dementus, who has some lines that are more articulate than you will hear in the average conversation today. An amazing vocabulary given that there hasn’t been an education system in generations. It was cool to see the greater Hemsworth in a role that didn’t sound like old English. Forsooth.

Dementus

So, does the Average Dude recommend? I do. I loved the characters of Dementus and Immortan Joe (the villain from Fury Road). And even though the hot car-on-car action wasn’t up to the gold standard of Fury Road, Furiosa still gave what we crave…auto carnage. And while there were moments, the whole was not all that memorable. It was an adequate popcorn pusher that was probably 30 minutes too long. And with all due respect to the Critical Drinker, I did not find that Anya Taylor-Joy gave a particularly ‘great performance’. How could she, with only 30 stumpy lines?

And at the risk of beating a dead horse

If you’ve read my reviews in the past, you already know of my utter disdain of the black-screen ‘Five Years Later’ type scene change notices that take you completely out of the movie. What’s wrong with the classic fade out or fade to black? But maybe that’s just me.

And just for laughs…the character names are fantastic! Dementus. Immortan Joe. Rictus Erectus. Organic Mechanic. People Eater. Mr. Harley. Mr. Davidson. Scrotus. Ef, yeah.

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ADMR – IF is WONDERFUL and will definitely be in ADMR Best Picture discussion 4.9/5

IF is Inescapably Fantastic

I know I tout it every single week how I’m just an Average Dude. It says so right in the title. And for the most part, I think it’s true. I believe in hard work, loyalty and an unchanging magnetic north to my moral compass. But there are times when I am convinced that I am not an average dude. Not better. Just…different.

I guess we all feel that way sometimes. And, being an honest average dude, that feeling is probably more right than wrong. Again, that doesn’t make it a bad thing. Nobody wants to be JUST like everyone else. We all want to be unique in some way. We all want to be special. Then adulting gets in the way and the want gets lost in the day-to-day. It happens to all of us. But sometimes we are lucky and find a reminder that the wanting is not lost forever.

IF is one of those reminders

Bea the adult child

IF wallops us in the feels right out of the gate. Bea (played by TWD’s Cailey ‘Judith’ Fleming) loses her mother to illness and becomes maybe the most grown-up, serious, no fun 12 year old one could imagine. Calamity follows tragedy, and Bea’s father (John Krasinski) is admitted to hospital for heart surgery. Bea’s heart of steel becomes a heart of stone. Her father, a child-at-heart, does his best to lighten her load (world’s best dad, IMO) to no avail. Bea will not be moved.

Thank goodness for childlike curiosity

Though Bea had made herself into a 12 year old adult, youthful inquisitiveness is still a driving force. She is having glimpses of someone…a little girl, she thinks…in the shadows and ducking around corners. Where hope has been packed away, curiosity still lives. Bea’s tenaciousness eventually brings her face to face with what was lost…an IF.

Blossom

Like finding a new cup-holder in your 2017 Jeep

Lost and found is kind of the theme for IF, and it doesn’t get old or oversold. It might have been luck or by design, but apparently we as humans never get tired of the thrill of finding what was once thought to be gone. Or finding something new in something you’ve had for years. The old becomes new again. And that is magical, even IF only for a moment.

Imaginatively Fun

It’s so much fun every time a new IF is introduced. Guessing the voices without mentally stepping out of the movie is not easy, and there are plenty of them. Clearly, everyone in Hollywood wanted a piece of IF. I dare you to spot them all without the help of Google. And there is one IF that you could not possibly get because it does not speak. But when you see who it is you are struck once again by the brilliance of IF. IF becomes new again, if you will.

the dance number

Ryan Reynolds doing Ryan Reynolds things, part 1

IF would have been a solid movie had the star been pretty much anyone else. Having Ryan Reynolds as the co-star makes it beyond entertaining. Reynolds plays Cal, the leader and caretaker of the IFs (local chapter, I assume). And even as a sardonic pessimist, we can’t help but love him. The dude just never disappoints. I have a direct interaction with Ryan Reynolds on Facebook. I’ll show it to you someday. It made Facebook new again for me.

Inevitable Five (or close enough)

Finding the IFs

So, I’m gleefully giving IF a 4.9 out of 5 happy faces. What’s missing, you ask? We got plenty of IF. This movie was full to overflowing of WHAT. The missing element is WHY? As in WHY was Bea able to see the IFs in the first place? IF that question had been answered, this would have been a 5/5, hands down. In the end, I guess the why’s are sometimes over-rated and we just need to accept the IS and enjoy the ride. Kids can do that SO much better than we adults. And that brings me to the realization that I might not be as average as I thought.

IFs

IF is a movie that kids will love but I suspect not all adults will love it as much as I did. Full disclosure: I was on the cusp of blubbering audibly by the end. Certainly the tears were rolling. God bless Mrs. Average Dude for handing me a napkin before the movie even started. She knows me so well. Your Average Dude is a sucker for kids, dogs and redemption. And apparently, the journey to find what was lost is not as far for this average dude as it is for others. In that, I suspect I am very un-average. Totally cool with it.

Ryan Reynolds doing Ryan Reynolds things, part 2

For those who follow Welcome to Wrexham, this was his latest birthday prank played on Rob McElehenny… https://www.youtube.com/watch?v=vCKgewLdK9w
Its been living rent-free in my skull for two weeks now.

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ADMR – Not horrible, Kingdom of the Planet of the Apes is throwing poop, just not soggy poop 2.2/5

 

Kingdom of the Planet of the Apes

Kingdom of the Planet of the Apes…help me make it make sense

Looking over the options at my local moviehaus this weekend, nothing really jumped out at me as a ‘must see’. Challengers? The trailers make it look like it’s a hot chick cucking not one, but a pair of dudes. Pass. Tarot? Abigail? Not a fan of shock horror flicks. I outgrew them around Friday the 13th number Infinity. Unsung Hero? Meh. Not Another Church Movie? Don’t get me started. So that really only left one choice…Kingdom of the Planet of the Apes. Okey Dokey.*

In fairness, the Average Dude is always up for a post-apocalyptic survival flick. I introduced Mrs. Average Dude to The Walking Dead and spent the next 2+ years going back through 11 seasons of TWD and all the spinoffs** so I may be fully mentally pre-disposed to think about what comes after we’ve finally sh!te ourselves into oblivion. Kingdom of the Planet of the Apes is post-apocalyptic, in a different way. But not in a good way. I have…questions…

Maybe I just see too many movies. Nah, that can’t be it

I have to admit, I had to go back and watch bits of the previous movies to get my brainbone back in the groove for Kingdom of the Planet of the Apes. I remembered that Caesar was the primate hero of the story up to now and they prevailed over the humans. That’s about it. I guess that the movies just weren’t that memorable. I believe that’s true and I believe I know the reason why. But more on that later.

Kingdom of the Planet of the Apes picks up a couple hundred years after the last PotA movie. Apes have created clan societal structures (although we only see two of those) and have apparently domesticated eagles. Okay, I looked it up and I guess it can be done.

Even so, I don’t think humans barely out of the stone age were domesticating eagles. But whatever. The eagle clan (or whatever they call themselves) have some vague memory of their simian forefather Caesar, but not of his message. His teachings, if you like. Still, they live a peaceful existence.

Contrasting them, just on the other side of the tunnel is a clan (I think they were called the valley apes?) who were only spoken of in hushed, panicked whispers. In the halting, grunting speech of the eagle clan, other apes bad.

Valley apes bad

I wonder if dolphins suffer like this?

Enter Noa, the son of the eagle clan leader. He’s brave, inquisitive and haunted by the lack of love shown by his father. This drives Noa to take bigger risks (literally) and climb to greater heights (also literally) to impress dear old dad. It’s a story as old as time and apparently applicable to any higher evolved brainbone.

Just because I hand out no spoilers doesn’t mean you can’t see what’s coming

I won’t reveal anything further on the Kingdom of the Planet of the Apes story, but it’s pretty predictable to anyone who has seen the trailers.

Apes make boom

The question everyone asks is ‘Did the Average Dude like it?’ Here’s where I come to the ‘more on that later’ part.

I didn’t hate Kingdom of the Planet of the Apes. It was passable. But just like the other PotA movies for the new era, it just wasn’t that memorable. And I think the reason why is that it lacked any real emotional connectability. Try as they might to make ape-clans human-without-being-human, they really succeeded an creating ‘meh’. It missed a human element that the semi verbal apes just could not provide.

These apes showed the worst parts of being a dominant species and failed at making them truly emotionally relatable. I don’t know how you show human-like emotions on a CGI ape face, but Kingdom did not find a way. It’s doable, I imagine. Heck, Wall-E did it and he only had two googly eyes and less vocabulary than the apes had. Grunting conversations do not make for compelling emotional content. Noted.

WALL-E

They just don’t make ’em like that anymore

Visually, Kingdom of the Plane of the Apes was awesome. The reclaimed planet was beautiful at a distance. There were just so many plot holes and questions (which I can’t go into without spoilers) that still need answering if we indeed care enough about this story to want them answered. Which I’m not sure that I do. There were several callbacks to the original PotA movies that I really liked and I realized that I remember more about the 1968-73 series than I do of this one.

One shows emotion, the other meh

So, sadly and predictably, I can only give Kingdom of the Planet of the Ape a 2.2 out of 5 bananas. I won’t be eagerly anticipating the next installment (I hear that there are 9 total planned). I’m sure I’ll go, because I’m dedicated to all you average dudes and dudies like that. I just hope this isn’t me by the end of this journey…

*I loved Fallout so much, I have added Okey Dokey to my daily lexicon… Every Okey Dokey from Season 1 of Fallout

**If you’re a fan of TWD, you already know that ‘The Ones Who Live’ is a great addition and well worth the watch!

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ADMR – The Fall Guy CRUSHES IT! Big thumbs up! 4.8/5

The Fall Guy

The Fall Guy is the remake we never knew we wanted

Trying not to give away too much about me, but I remember watching The Fall Guy back in the early 80’s. It was okay, typical 80’s TV fare in the vein of the A Team and Knight Rider. Ultimately forgetable, really. I truly don’t remember a single episode. But oh, I remember the theme song word for word (link at the end). SO catchy!

Better. Stronger. Faster.

The Fall Guy from the 80’s starred Lee Majors as a Hollywood Stuntman who moonlighted as a bounty hunter to fill in the financial gaps that getting set on fire or blown up on set didn’t cover. I have no idea how many of you will remember this show (I know my kids don’t) but Majors was one of those virile male stars from back when it was okay – even desirable – for men to exhibit toughness, kindness and follow a firm moral code. In the pantheon of male tough guy heroes of the 80’s, you had Burt Reynolds, David Hasselhoff, Tom Selleck…and Lee Majors, the Six Million Dollar Man.

And if you don’t remember the Six Million Dollar Man, then I got nuffin for ya. About 50% of this review is going to whiz right over your head. And I feel bad for you.

Since so few people remember the Six Million Dollar Man, it seems an odd choice by Hollywood to bring Major’s second act to the big screen with The Fall Guy. I don’t know what inspired Universal to pull it out of the vault and give it a new millenium makeover. But they did, and we are all better off for it.

Only the Village People can still use that word

Let’s be clear…there is no way that they could make The Fall Guy with the same macho essence that the 80’s male star exuded. Whether that is for good or ill is hotly debated, and your Average Dude has much to say on the subject. I suspect other average dudes and dudies do, as well. But the wise, wise Mrs Average Dude reminded me that this is not the forum for such debates. Keep it about the movie. She is the angel on my shoulder. So, because she is so very wise and because she is correct, I will say only this: I miss the 80’s. It was a good time.

message for the woke

Having said as much, I am giving the writers and director David Leitch (John Wick, Deadpool 2 and the criminally underrated Hobbs & Shaw) full marks on revamping the show for a new age. The Fall Guy 2024 stars Ryan Gosling and Emily Blunt with an excellent supporting cast that includes Aaron Taylor-Johnson, Winston Duke (M’Baku from Black Panther) and the delightfully sleazy Hannah Waddingham. Gosling plays Colt Seavers, the unknown stuntman that makes Eastwood look so fine. That’s the only story element that made the transition from the magnificent 80’s to the end of the first quarter century of the new millenium. That’s okay.

Shot through the heart

What Leitch managed to do – somehow and against all odds, says I – is bring a hint of that bigger than life era back to the big screen without championing machismo or infuriating the always furious. Gosling’s Seavers was a man’s man that was still vulnerable to both physical and emotional scarring. Most endearing was a sense of chivalry, of right and wrong, and a willingness to put himself to the hazard for love of both. It was almost subtly given to us, which was perfect on multiple levels.

Chivalry is not dead

Not a fairy tale but yeah, a fairy tale

Okay, I did say that some of you would not get this review, but that doesn’t mean that this movie isn’t worth your time and corn. It is, fear not. The images of bygone male-female stereotypes might have been removed from The Fall Guy, but the quintessential elements that we all still crave are there. Not only Gosling, but Emily Blunt is also strong yet vulnerable and ultimately loyal and forgiving. Both stars embody things that, if half of us weren’t furious and the other half scared, we would all aspire to be and have.

Is it too early to give a 5 our of 5?

Nah, I’d give it top marks if not for a couple of very slight knocks. Yes it was an action movie but The Fall Guy pulled back the curtain to reveal the wizardry of Hollywood stunts and then proceeded to throw sand in it’s own face by giving us a finale that was just a wee bit over the top. No spoilers but you’ll get me when you see it. Just a skosh long, it probably would have be a straight up 5 if they had shaved maybe 5-10 minutes of end action sequence.

And while there was not one note of ‘You Give Love a Bad Name’ as the trailers so gloriously promised, the soundtrack for The Fall Guy was beyond awesome. Believe it.

They should have had bigger cajones

Exception to that last take: Blake Shelton’s remake of The Fall Guy series theme song. I get why they did it but it was still a disappointment. Might be the one really bad call of the whole show. But I’m correcting that here. You’re welcome. Even so, I am proudly giving The Fall Guy a well-deserved 4.8 out of 5. Plenty of cameos and rememberberries to enjoy, including the way that Colt narrates his own story. Oh and lest I forget, scene-stealer Jean-Claude. Engage your core!

Engage your core

Enjoy this new addition to my annual watch list and spring for the large corn. I didn’t and wish I had. A-hey hey!

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Movie Reviews

ADMR – Fallout season 1 is SO much better than I expected! It’s a TREAT! 4.75/5

Fallout season 1
Fallout season 1 is a breath of irradiated fresh air

Who would have thought that yet ANOTHER series about a post-apocalyptic dystopian hellscape would be a good idea? And not just a another post-apocalyptic dystopian hellscape, but one based on a first-person shooter video game? Ugh, seriously? When will it be enough? Will we ever get post-apocalyptic dystopian hellscape fatigue? Apparently not any time soon. Is that a good or bad thing? I say ye, ’tis the same as any other genre…the proof in the pudding is in the eating.

That’s a bit of a cynical opening to this column, I’ll admit. My head turns when I see a new end of the world show teaser. I’m not sure why they grab our interest so completely. It probably has something to do with how we are all caught up in doom scrolling on our phones. Who knows. As an over-thinker, I should probably put my tired brain-bone to work on it. But not today. Today, I’m going to revel in the quirky, original, amazing Prime Video offering: Fallout season 1.

Good grief, am I that old?

Fallout is based on a popular video game of the same name, which has spawned at least a dozen spinnoffs and sequels. With a popularity like that, and sporting a fresh retrofuturistic (today’s word of the day. Try to use it in conversation!) style, Fallout was destined to be made into an actual movie or series. Frankly, it’s kind of amazing that it has taken this long to happen. The original Fallout was release waaaaay back in 1997. That bakes my melon. Seriously.

The end of the world…the way your gramma made it

Retro vault dweller

As I said, Fallout is a ‘retrofuturistic’ world. Setting aside the obvious dichotomy there, it’s a fantastic artistic style that lives next door to steampunk (think Robocop done with only steam-powered technology). I say fantastic, and I stand by that. We’ve done the clean, smooth, futuristic tech to death (no offense, Star Trek). Retrofuturistic renditions are still pretty novel in comparison. Fallout nails the artistic style and absolutely ups the ante with top-shelf writing that slings a 50’s siloed morality and language smack dab into the aforementioned dystopian hellscape. It is visually enthralling and the characters are easily investable.

Kind of like the British

But when the layers of characterization are slowly peeled back, they reveal a dark underbelly. The one dimensional depictions fall away to reveal hidden motives and avarices. Wholsesome ‘good golly!’ morality evolves in front of our eyes and is replaced by the stark realization of circumstances that forces our characters to grow or die. In short, the character development is on point.

personal growth is important

Not to be confused with another female bad@$$

Fallout stars Ella Purnell as Lucy MacLean, a young female adult who has lived her entire life in one of any number of Fallout shelters built to survive the atomic holocaust that our universe has (so far) has avoided. Hearing her name, my eyebrow immediately sprung up Spock-like. Second only to the original Die Hard is Live Free or Die Hard, another annual watch for me. John MacLane’s tough as nails daugher is one Lucy MacLane (Mary Elizabeth Winstead). Love it. Whether on purpose or accident, I was on board from the git-go.

Chip off the ol block

What follows is a non-linear tale of present day sheltered life (very literally), post-disaster militias, pre-disaster origin stories and pre-pre origin stories that walks a thin line between necessary and confusing but manages well enough. We are introduced to neo-knight Maximus, a character whose motivations and growth are not yet predictable. We meet THE Ghoul (not to be confused with the garden variety ghouls), played by the always awesome Walton Goggins doing his best Red Skull imitation. Oh, and Dogmeat. Dog-lovers rejoice.

Characters we care about

If you are looking for a new earworm…

Fallout seems to take great pride and care in every aspect and nuance of this show. The end credits are presented to the tune ‘Crawl Out Through the Fallout’ by Sheldon Allman (circa 1960). That song has been playing on loop in my head ever since and was THE perfect ending. Each epi has it’s own retro tune to play us back to reality but none can match that slice of perfection. After the credits rolled, I simply turned to Mrs. Average Dude and declared ‘I. Am. A. Fan.’

I truly have nothing bad to say about this series other than to say I hope SO MUCH that they don’t muck it up in subsequent seasons. I still have not forgotten nor recovered from the tragic, meteoric crash of the series ‘Heroes’. I have never seen a great series go south so quickly. It bothered me so much that it tempers all my series expectations. Having said that, I wholeheartedly endorse Fallout season 1 with a jim-dandy rating of 4.75/5. Fallout is swell and I can’t help but be jazzed for season 2. And if I get radiation burned in the end, I’m going to feel it.

Goggins GhoulAtomic KnightsRodents of Unusual Size

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Movie Reviews

ADMR – Civil War is just a glimpse of a possible brutal future for a deeply divided nation – 3.5/5

Civil War

Civil War, your timing is impeccable

There is no movie I’ve seen previews for this year – other than Deadpool 3 of course – that the Average Dude has been more anticipating than Civil War. One wonders how long it has been in the can, awaiting the perfect time to release. Too soon and they lose the boost of current political divisions going into the most important presidential election since the LAST most important presidential election. Too late and they risk either political fatigue (aren’t we all kind of there anyway?) vs possible encitement to conflict. I kind of think Hollywood nailed it. Well played, Hollywood. About time you actually thought things through and made a smart call.

So, even though it competed with The Ministry of Ungentlemanly Warfare, I was always going to see Civil War opening weekend. And I’m glad I did. While all the political pundits gave their agenda-driven yays or nays, I was able to avoid their influence and watch this movie with anticipation and not expectation.

I say anticipation, but that doesn’t mean without bias. I would love to talk to anyone who truly has no biases on the state of the canyon that exists between conservatives and liberals. I would take them to see Civil War and intently listen to their reaction. Because this Average Dude is fully aware of his own biases. And, in the spirit of seeking the truth in all things, am constantly challenging those biases. That’s the only way I know to seek truth.

Strange bedfellows

The basic premise of Civil War: California and Texas have ceceded from the United States and allied, adopting an American flag with only two stars. There are various other states that have ceceded and created their own coalitions, separate from the Loyalist States. The Loyalist States, led by the current president, have launched an offensive against the Cali/Texas alliance. Since Cali and the Lone Star state have a very large percentage of military bases, it makes sense from a believability standpoint.

They would have needed a maxi-series to tell it all

If Civil War had continued down that road it could have been a exciting, action-packed, possibly even powerful movie. But that would have required it to actually answer one of about a hundred questions that the viewing audience had. What caused the initial division so grievous that it caused the United States to fracture so completely AND cause California and Texas to side together? What did the internal struggle for power within each faction look like? Who is leading the Western Forces coalition? Or the Second Republic of Texas? Or Cali? And why in the world is South Carolina not part of the Florida Alliance? See what I mean? There are a truckload of other stories to tell here.

Thelma and Louise. And a dude. And an older dude.

Journos becoming the story

Civil War didn’t begin from any of those story points, which could have started us on an epic journey. Nope. They made the whole Civil War a backdrop for a road-trip story about 4 journalists rolling through a war-torn America enroute to the White House to interview the sitting president before the cecessionists arrive to remove him from office. With extreme predjudice. Journos. Of all the viewpoints in society that the writers could have chosen to tell this story, could they have chosen one LESS trustworthy? Less identifiable by the bulk of the country? I’m thinking probably not.

So, in fairness to journos, there are probably some journos out there that really do aspire to the higher journo ideals. Tell the truth with impartiality. Show the facts. Unbiased. Even when it comes at great personal risk. Those girls and guys are the closest to secular martyrs we will ever see. But those folks are rare. Like, unicorn rare. They’re the ones who have not been co-opted by money and fame. It’s sad but true.

Journos helping journos

Food for thought

But Dude…is it any good? The short answer to that is yes. Sure, there’s some good stuff, but mostly it comes as a subtle warning to the watcher. The facade of ‘American moral superiority’ falls away. Slowly, at first. But as the intrepid journos get closer to DC, the brutality grows. In this Average Dude’s opinion, it was way, WAY too soft. It was baby formula when we wanted a T-bone.

If current strife in other areas of the globe have shown us, war on your own doorstep isn’t just uncomfortable or inconvenient. It’s crushing. It’s scarring. It’s often fatal. And in our land of excess, self-absorbsion and entitlement, the carnage would come faster and more brutally than most folks think. Civil War hinted at it, but didn’t take it nearly far enough IMHO.

This dude is SO creepy

So…does the Average Dude recommend?

I do. Because most average dudes and dudies have probably wondered on some level what a Civil War in this country would look like. And even getting a taste of it would be worth your time. Civil War straight up did not take sides. To the very best of its ability it walked the partisanship middle line. Would it have been better if it had taken a stand? I think so. For good or ill, it would have gotten more press. Appealing to one side and enraging the other surely would have generated more buzz. But watering it down guarantees a watered down response. And it feels a bit cowardly. That’s just the Average Dude’s opinion.

So, take it for what it’s worth, I suppose… reminder of how quickly people can forget their humanity. A mild reminder, at that. If something like this really did happen, I think it would be so much, much worse. And THAT’s not just an opinion.

There are many examples in our marvelously modern world that back up that claim. In the land of ultimate opportunity and affluence, what do you think would happen if that American priviledge got suddenly yanked away? People who have never once had to fend for themselves would be in utter panic. That’s upwards of 333 million folks (minus the 1%) who would be desperate to get what they ‘need’. Think the covid toilet paper panic times about a skillion. If we lose our sh!t over two-ply, what will it look like if folks can’t get their meds. Or their Hamburger Helper. Or their internet.

In the spirit of educating the purposefully obtuse, I am recommending Civil War. For those of us who spend time thinking ‘what if’, its a curiosity. For those who just don’t want to think about the possibility, I’d call it a must-watch on a grade school level. The Average Dude is giving Civil War a 3.5 out of 5. And God help us all if something like this ever happens.

And not for nothing, but I much preferred this Civil War…

How I wish it would be

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Movie Reviews

ADMR – The Ministry of Ungentlemanly Warfare was not as expected but still great – 4/5

The Ministry of Ungentlemanly Warfare

The Ministry of Ungentlemanly Warfare is jolly good fun

Holy Cow! When the Average Dude saw a preview for The Ministry of Ungentlemanly Warfare, I was 100% in! Starring Chief’s fan and GOAT Superman Henry Cavill AND Alan ‘Reacher’ Ritchson, I was geeking out at the prospect of these two mega dudes doing mega-dude things on the same side in the same movie. Crazy awesome. Even Mrs. Average Dude was psyched for this movie. Average Dude does not begrudge her enjoying the eye candy.

 

So, when Average Dude was scoping out the new releases for last week and happened upon an advance screening for The Ministry of Ungentlemanly Warfare, I knew it was going to be a twofer weekend (Civil War review – coming soon). I love a twofer weekend so much.

Terribly unsporting of you, ol’ chap

The Ministry Rolling

The Ministry of Ungentlemanly Warfare it the ‘based on a actual events’ story of purported scoundrel Gus March-Phillips and his assembled crew of similar ne’er-do-wells. This merry band of chaos-bringers all possess a variety of ‘very particular skill sets’. Sadly, the oh-so-proper British government could not, in good conscience, bring said skill sets to bear on an enemy that showed no reluctance to use any level of brutality to further its ends. So, Churchill and a small contingent of his war cabinet enlisted March-Phillips to do their dirty work, promising prison (at best) should he and his men be found out.

So began Operation: Postmaster, a coverty operation to take out a German submarine refueling and supply depot on the ‘neutral’ Spanish island of Fernando Po.

God bless you, Guy Ritchie

Wesley?

While The Ministry of Ungentlemanly Warfare had all the booty (giggety) that Mrs Average Dude could want – a dashing rogue leader (Cavill), an even larger human specimen (Ritchson) AND the Dread Pirate Roberts (okay, it’s a romantic throwback) it was not without a little sumthin-sumthin for the mates. Eiza Gonzalez plays Marjorie Stewart, an actress/singer/socialite turned spy for not-sure-whom and is a very passable clone of Gal Gadot. Thanks, Guy Ritchie. Your service to the Average Dudes is appreciated.

Marjorie Stewart

Too much star power

So, with a loaded cast, a classic action movie premise and one of my favorite directors at the helm, how could The Ministry of Ungentlemanly Warfare be anything but a monumental smash? Here’s how…too much of a good thing. We all know Cavill’s movie pedigree. Action movie veteran. And most of us are still high on Alan Ritchson from two seasons of ‘Reacher’. We expected a lot of screen time for both of these fellows. Cavill, as the star of the story, got his. Ritchson, however, was almost an afterthought, which is a shame. And I get it. There was a lot going on in this movie, something had to give. I guess Ritchson is still paying his dues.

Hawkeye

Also a small gripe, I have to mention that I have rarely seen so many deaths with so little gore. I mean, these super-commandos killed a LOT of bad guys. And unless I blinked, every single shot made with either a bullet, an arrow or a thown object found its mark unerringly. Apparently, Hollywood never misses.

They got married IRL

In spite of the tiny imperfections of this movie, the Average Dude enthusiastically gives The Ministry of Ungentlemanly Warfare a 4 out of 5. Well worth the 2 hrs and corn. We love it when all the WWII baddies get ended (well, ALMOST all of them). You’ll get plenty of it here and it’s always satisfying. Tally ho!

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